Some Old-Time Rugs Page 2

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Thus the methods of making are developed in logical sequence, from rugs made by hand to those made by relatively complicated tools only relatively because the technique of each one is really simple. Even the loom upon which the Colonial rag rug is made cannot be regarded as anything more than the most primitive of looms compared to the complicated modern power loom.

Because the method of making these old-time rugs is so simple, their design must correspond in type, for without appropriate de-sign these old-time rugs cannot claim our consideration as serious handicraft. Even technical perfection cannot make an attractive rug, if the element of good taste is lacking. Straightforward honesty in design can alone do this, an honesty which acknowledges the limitations in the methods of construction and scorns to get effects by more superficial means.

A taste for appropriate design is sometimes a natural gift. Indeed, I am inclined to think that most people have more esthetic appreciation than they realize. They somehow believe that only those who are professionally and technically trained have any claim to critical sense in these matters. Good taste can be developed by artistic influences. It does not come only as the result of a technical training. The amateur is apt to leave esthetic matters entirely in the hands of the professional worker, whose attitude toward others inside the profession or outside can hardly be called catholic. The standpoint and interest of the amateur must be most seriously considered, for the growth of any movement is dependent on those who work for it for love. And from the ranks of the amateur often come the ablest professionals. The attitude of a professional worker is, in general, influenced by the schools and becomes increasingly academic as it is related to any specialized branch. The enthusiasm of the amateur is often dampened by professional criticism. Any one bringing a fresh attitude of mind toward handicraft should be encouraged, for enthusiasm is too rare and valuable to lose.

The beginner is likely to fail through over ornamentation and technical knowledge has a restraining influence in the use of ornament for it teaches what to leave out, just as a discriminating taste will teach what to use. The inexperienced worker usually makes too elaborate a plan, then finds on attempting to execute it, that because of technical limitations many of its ornamental features must be left out.

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The Craft Of Handmade Rugs - View The Rest Of The Book

Introduction - A Word About Dyes - The Braided Rug  - The Scalloped Doormat Or Tongue Rug
The Knitted Rug - The Crocheted Rug - The Hooked Rug In Cotton And Wool - The Needle-Woven Rug
The Colonial Rag Rug - Some Applications - Newer Methods Of Stencil Making - The Tufted Counterpane
Old Time Lights - The Batik Or Wax Resist Process